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NCIS
#409 : Esprit de famille

 

Synopsis: McGee passe la soirée sagement chez lui quand soudain sa soeur débarque, ses vêtements couverts de sang. Selon elle est est persuadée d'avoir tué un homme, mais elle n'en a aucun souvenirs. McGee décide alors de commencer à enquêter seul, mais quand il arrive sur les lieux du crime, il découvre que l'équipe du NCIS enquête déjà dessus...

Popularité


4.2 - 5 votes

Titre VO
Twisted Sister

Titre VF
Esprit de famille

Première diffusion
21.11.2006

Première diffusion en France
16.11.2007

Plus de détails

Scénariste : Steven D. Binder
Réalisateur : Terrence O'Hara

MUSIC IN:    

     
 INT. MCGEE’S APARTMENT – NIGHT     
     
  (MUSIC OVER ACTION/MCGEE TYPING)   
  (SFX: PAPER SHREDDER)
(SFX: MCGEE TYPING)   
  (SFX: KNOCKING ON DOOR CONTINUES)   
JORDAN: (THROUGH PEEPHOLE)  Open up, McGee! 
(DOOR OPENS)   
MCGEE: Hey, what’s going on?    
JORDAN: Bzzz!    
MCGEE: Um….     
JORDAN: That’s what I been hearing all night long.  Bzzz! Bzzz!  Are you electrocuting sheep in here?    
MCGEE: Feels like it.  You know what?  That’s probably my shredder.    
JORDAN: That’s funny, because you say that like... well uh, like I haven’t been up all night listening to it! 

   
MCGEE: I’m sorry.  I’m having… it won’t happen again.    
JORDAN: It does – that paper’s not going to be the only thing getting shredded around here.    
MCGEE: Sorry.    
  (DOOR CLOSES)   
  (SFX: PAPER SHREDDER)
(KNOCK ON DOOR)    
MCGEE: I’m sorry.    
  (DOOR OPENS)   
MCGEE: It was an accident.  It won’t happen again.    
SARAH: (SOBBING)  I think I killed someone, Tim.    
     
  (MUSIC UP AND OUT)   
     
  (THEME MUSIC UP OVER OPENING TITLE/SCENES/ CREDITS AND OUT)   
     
      
 MUSIC IN:    
     
 INT. LIVING ROOM – NIGHT     
     
 “TWISTED SISTER”    
     
MCGEE: Are you okay? (SFX: SHOWER B.G.)   
     
  CUT TO:    
     
 INT. BATHROOM     
     
SARAH: (V.O.)  You asked me that thirty seconds ago, Mom!    
  CUT TO:    
 INT. LIVING ROOM     
     
MCGEE: Yeah, well you’ve been in there for over an hour!    
     
  CUT TO:    
     
 INT. BATHROOM – NIGHT     
     
SARAH: (V.O.)  Yeah, well how long would you be in the shower if you were covered in mystery blood?    
     
  CUT TO:    
     
 INT. LIVING ROOM     
     
MCGEE: You’re sure that none of it is yours?    
     
  CUT TO:    
     
 INT. BATHROOM     
     
SARAH: Yeah.    
MCGEE: (V.O.)  But you don’t know whose it is?    
SARAH: No, I told you.    
     
  CUT TO:    
     
 INT. LIVING ROOM     
     
SARAH: (V.O.)  I was at Headliners with these girls from school…    
     
  CUT TO:    
 
    
 INT. BATHROOM     
     
SARAH: … watching this crappy band.      
     
  CUT TO:    
     
 INT. LIVING ROOM     
     
SARAH: (V.O.)  The next thing I know, I’m at your front door.    
MCGEE: You left out the part where you said ….    
     
  CUT TO:    
     
 INT. BATHROOM     
     
MCGEE: (V.O.)  ….you killed someone.    
     
  CUT TO:    
     
 INT. LIVING ROOM     
     
  (DOOR OPENS)   
SARAH: Tim, that’s not funny!    
MCGEE: You don’t remember saying that?  How much did you have to drink?    
SARAH: Nothing!  I’m under twenty-one, remember?    
MCGEE: Really?  Because your fake I.D. says you’re twenty-two.  How much?    
SARAH: Okay, I had a few drinks.    
MCGEE: Sarah, do you remember what happened the last time you had “a few” drinks?    
SARAH: No.    
MCGEE: That’s the point!  You can’t drink!  Last time you had a few too many, you painted “bitch” on Katie Hutchinson’s garage. 


   
SARAH: I would have done that sober.  That bitch stole my boyfriend.  Tim, relax.  I barely even touched my second beer, okay?  I remember because I had to…. (SFX: CELL PHONE RINGS)   
     
  (INTERCUT FLASHBACK /DISTORTED SWISH PANS)   
     
MCGEE: You had to what?    
SARAH: I had to study.  That’s right.  After the concert, we went to the food court, but I left early because I had to go to the library.    
MCGEE: Good.  Library is good.  And then?    
SARAH: Why can’t I remember?    
MCGEE: Someone could have slipped you something.    
SARAH: No, Smart Girl One-oh-one.  You don’t take drinks from guys you don’t know.    
MCGEE: We should still get a urine sample.    
SARAH: (BEAT)  No!  I can’t pee in a mug with a picture of Grandma on it.      
  (SFX: TOUCH TONES)   
SARAH: What are you doing?    
MCGEE: Calling the police.    
SARAH: And telling them what?  That I showed up at your front door with blood on my hands saying I killed someone?  Besides, Tim, that could be animal blood.    
MCGEE: And what if it’s not?  Sarah, I’m a Federal agent.  I have a responsibility.    
SARAH: Tim, I didn’t come to a Federal agent!  I came to my big brother.    
     
  MUSICAL BRIDGE TO:   
 INT. SQUAD ROOM - DAY     
     
ZIVA: McGee’s not answering his cell phone, pager, or MySpace IM.    
TONY: (CHUCKLES)  McGee on MySpace.  I’ve got to see that.    
GIBBS: Keep calling.    
TONY: Still trying to get into his calendar, Boss.    
ZIVA: You know, I’m not sure what the problem is.  When I was framed by the Iranians for murder, I was late for many hours before anyone even noticed.    
GIBBS: You’re not McGee, Ziva.    
TONY: McTimex’s brain is hard-wired for punctuality.  And sadly, scaring away potential mates.  There we go!  No doctors appointments.  He does have a personal trainer four times a week!  And tomorrow, an eight a.m. appointment at a Harley Davidson dealership!?  Either McGee’s won the lottery or he’s got a Sugar Daddy.    
  (PHONE RINGS)   
GIBBS: (INTO PHONE)  Yeah, Gibbs.  Where?    
  (GIBBS HANGS UP PHONE)   
TONY: Dead?    
GIBBS: Sailor.  Waverly campus.  Gear up.    
TONY: What about McGee?  We haven’t found him yet.    
SHEPARD: I did.  Or rather he found me.  Sent me an email.  “Woke up sick.  Laryngitis.  Won’t be coming into work today.”  You know, I bet he sent you one, too.    
  (SFX: COMPUTER BEEP TONES)   
GIBBS: Are you still here?  (TO SHEPARD)  Hmm.    
     
  CUT TO:    
 INT. LIVING ROOM – DAY     
     
SARAH: Who emails in sick to work?    
MCGEE: If I called, they’d know I was lying.    
SARAH: Oh, and if you have laryngitis, you can’t call.  You’ve been saving that one for a comic book convention.    
MCGEE: Can we get back to the timeline, please?  Okay, now, you left the bar at nine-thirty p.m.    
SARAH: I got to the campus food court at around ten.    
MCGEE: You showed up here at my door at two thirty a.m.  That leaves four hours unaccounted for.    
SARAH: I’m actually impressed.  This is what you do at work?  You know, state the obvious and make pretty pie charts?    
MCGEE: No.  We collect facts and we formulate theories.  But if you think you can do better…    
SARAH: Oh.  Well, okay.  There are four hours unaccounted for, of which I have no memory.  So I either drank more than I realized; repressed some kind of traumatic event, or was drugged.    Now the blood on my hands and the fact that I’m always careful with what I drink implied traumatic event.  But what and where?  Answer.  The shoes I bought yesterday.  Thirty two dollars, on sale, plus I had a back-to-school coupon.  They’re muddy, but the soles are barely even scuffed.  So I didn’t walk the five miles to your place.  Okay, so how did I get here?  When I left the food court, I had fourteen dollars in my back pocket.  And now there’s only two.  And since it’s a ten dollar taxi ride to your place, do the math.  I must have taken a taxi cab out here.  And that’s our first step.  We find the driver, we ask him where I was.  Then when we find out where I was, we can find out what happened.      
WEAVER: We can start by checking local taxi dispatches.  There’s two major cab companies and dozens of gypsies.  I’m assuming you left from campus, that would definitely be a major.  They’ll have a log of the fare.  Do you think you caught the taxi on campus?       
     
  MUSICAL BRIDGE TO:   
     
 EXT. CAMPUS – DAY     
     
MADISON: Ready?!  Five, six, seven, eight, hit one, two, oh-three, four, look-five, hit six, seven, down-eight.  Go-one, two – this isn’t the XFL, ladies!  This is Waverly!  Save the pole-dancing for your boyfriend, Caroline.    
  (SFX: CAR BRAKES TO A STOP)   
  (MCGEE WALKS FROM THE CAR)   
TATE: Uh, you’ll have to move your car, Sir.  You’re in a passenger loading zone and I don’t see any uh, pa – Oh.  You don’t want to park here.    
MCGEE: You might want to yank out your rent-a-cop manual and recheck the pecking order.    
TATE: No, no, no.  Your people are on the other side of the quad.    
     
  CUT TO:    
     
 EXT. QUAD – DAY     
     
TONY: Well, that was quick.    
GIBBS: You solve this case already, Dinozzo? 

   
TONY: No.  It’s my hundredth body.  Hey, listen, you wouldn’t mind taking -- (BEAT) sorry.  It’s a bad idea.  It seemed less disgusting in my head.    
ZIVA: By comparison with what else is in there, I’m sure it was.    
GIBBS: Anything useful from that jogger, Ziva?    
ZIVA: If “I saw the body and I called the police” is useful, then yes.  Otherwise, no.  He can’t tell how long the body’s been here.    
DUCKY: Luckily, of course, I can.  I must apologize for our tardiness.  We had trouble parking the van.  Homecoming.  I would have thought McGee would have beaten me up here.    
GIBBS: McGee’s not here.    
DUCKY: Really?  I could have sworn I saw him in the parking lot.    
TONY: Well, we’re at a college.  Pencil-neck geeks are a dime a dozen.    
DUCKY: (CHUCKLES)  Now, let me see.  Preliminary time of death between ten and twelve hours ago.    
ZIVA: (V.O.)  We have another body!    
TONY: (V.O.)  I thought you said you had another body.    
ZIVA: I do.  Actually, ten of them.    
  (MUSIC OVER ACTION/MCGEE RUNS TO HIS CAR)   
     
  (MUSIC UP AND OUT)    
     
 FADE IN:    
     
 INT. LIVING ROOM – DAY     
  
   
  (MCGEE TESTS THE BLOOD)   
  (DOOR OPENS)   
SARAH: Hey, what time is it?    
MCGEE: After ten.    
SARAH: It’s after ten?!  I missed my class!  Why didn’t you wake me?    
MCGEE: I wanted you to get some rest before…    
SARAH: Before what?    
MCGEE: Sarah…    
SARAH: You found the taxi.    
MCGEE: I haven’t spoken to the driver yet, but I did get a log from the company.    
SARAH: And?    
MCGEE: And you were picked up early this morning at the quad.  When I went to check it out, NCIS was there.    
SARAH: What was NCIS doing there?    
MCGEE: Probably had something to do with the dead body.  Where are you going?    
SARAH: The library.  I have to study.    
MCGEE: Excuse me?    
SARAH: I have a Chaucer mid-term coming up.    
MCGEE: Hey, Sarah!  Hello!  Dead guy!  It’s probably Dead Guy’s blood on your shirt!    
SARAH: I told you, that could be animal blood!    
MCGEE: It’s not.  I tested it, and it’s human.  Sarah, we’ve got to go to NCIS.    
SARAH: Why?  Why NCIS?     
MCGEE: The body was a sailor.    
     
  CUT TO:    
     
 EXT. QUAD – FLASHBACK     
     
PETTY: (MUFFLED)  Sarah!  Hey! (FLASHBACK SCENES)   
  CUT TO:    
     
 INT. LIVING ROOM – DAY     
     
SARAH: Do you know the sailor’s name?    
MCGEE: No.    
SARAH: I do.    
     
  MUSICAL BRIDGE TO:   
     
 INT. AUTOPSY ROOM - DAY     
     
ZIVA: Dental records confirm the body is Seaman Jeff Petty, currently serving on the U.S.S. Enterprise.  Docked at Norfolk last night.    
GIBBS: Navy notifying the family?    
ZIVA: As we speak.    
DUCKY: A duty I do not envy.  Yes, when I was an officer with the Regiment, I was twice called upon to render such services.  I prefer combat to telling a family that one of their loved ones shall never be returning.  Luckily, in this case, we are spared such a duty.       
GIBBS: Do you have a time of death on those goldfish?    
DUCKY: No time, but a cause.    
ZIVA: Asphyxiation?  Suffocation?  Over feeding?    
DUCKY: Nicotine poisoning.  I just got the test results from Abby.  There was enough nicotine in their blood to kill, well, kill a goldfish.  That much is certain.    
GIBBS: How did that get there?    
DUCKY:

 


DUCKY: Your guess is as good as mine.  Yeah, the cause of death of Seaman Petty is more explicable.  Sharp force trauma to the thoracic area.  Punctured the aorta, so death was almost instantaneous.  
(CONT.)  The shape and depth of the wound suggests a combat--    
GIBBS: (OVERLAP)  Combat knife.    
ZIVA: We didn’t find a knife.  All we bagged was trash.    
GIBBS: Tell Dinozzo to keep looking.    
ZIVA: Well, Tony went home.    
GIBBS: He went home?    
ZIVA: He wasn’t feeling well.  Thought McGee might have gotten him sick.    
GIBBS: So he went… home?    
ZIVA: Well, actually, the Director told him he could go.    
DUCKY: I’m not done, Gibbs.    
GIBBS: Make it fast, Doctor Mallard.    
DUCKY: Post mortem lividity suggests that Seaman Petty was killed on scene.  Tox screen came back negative, no drugs in his system.    
ZIVA: His C.O. said he was a model sailor.    
DUCKY: There was very little trauma beyond the entry wound.  No scratches, no DNA under fingernails.    
ZIVA: He was surprised.    
GIBBS: Or he knew his killer.    
     
  MUSICAL BRIDGE TO:   
     
 INT. BATHROOM – DAY     
     
  (SFX: KNOCK ON DOOR CONTINUES)    
MCGEE: (V.O.)  Sarah, open up!      
     
  CUT TO:    
 

    
 INT. LIVING ROOM – DAY     
     
MCGEE: Sarah! (KNOCK ON DOOR)    
     
  CUT TO:    
     
 INT. BATHROOM – DAY     
     
MCGEE: (V.O.)  Tell me how you know this guy!  Sarah, I can’t help you unless you talk to me. (SFX: SARAH CRIES B.G.)   
     
  CUT TO:    
     
 INT. LIVING ROOM     
     
  (DOOR OPENS)   
MCGEE: How do you know him?    
SARAH: We used to date…until he started seeing my old roommate.    
MCGEE: And?    
SARAH: And…. I threatened to kill him once or twice.  Maybe even three times.    
MCGEE: This is that sailor that you were dating last year?  You told me you didn’t like him.    
SARAH: What did you expect me to say, Tim?  I really liked this guy, and he broke my heart when he dumped me for some skanky cheerleader.    
MCGEE: You threatened to kill him because he dumped you for a cheerleader?    
SARAH: I didn’t mean it!  It was just one of those things you say, you know!    
MCGEE: Did anyone hear you say it?    
SARAH: I never actually said it.  I emailed it.    
MCGEE: Sarah, we’ve got to go to Gibbs now.    
SARAH: I haven’t done anything wrong!    
MCGEE: How do you know?    
SARAH: Tim, you don’t really (LONG BEAT) you do!    
MCGEE: Sober, no.  But you were drinking, Sarah.  There could have been an accident.    
SARAH: Tim, I swear on my life!  I…    
MCGEE: How can you swear?!  You don’t remember what happened!    
SARAH: If my own brother doesn’t believe me, who the hell is going to?    
MCGEE: Sarah!      
SARAH: What, are you going to arrest me?    
MCGEE: You need to understand something.  Our only option right now is going to end…. 
(SFX: TELEPHONE BEEP TONES)   
     
  CUT TO:    
     
 INT. BENOIT’S APARTMENT – NIGHT     
     
  (SFX: TV B.G.)   
TONY: Wait a minute.  I thought they were brother and sister.    
JEANNE: They are, but they don’t know it.  Haven’t you been reading the subtitles?    
TONY: There’s subtitles?    
JEANNE: So much for being a film buff.    
TONY: Hey!  Listen, I could bore you to death with a lecture on German expressionism in film, if you’d like.    
JEANNE: You could never bore me.    
TONY: Well, that is very sweet of you, but you underestimate me.  It is my contention, Miss Benoit, that the abstract nature of expressionism in film (MUFFLED)    
JEANNE: What are we doing, Tony?    
TONY: Well, I’m boring you with German expressionism in film. 


   
JEANNE: We’ve been dating for over a month.  Don’t you find it a little curious that… we haven’t taken it to the next level?    
TONY: You mean Italian, you know, realism?  Japanese--     
JEANNE: No.    
TONY: … cinema?    
JEANNE: …sex.    
TONY: (CHUCKLES)  Yeah.  Sex, right.    
JEANNE: Yeah, is that something you might be interested in?    
TONY: (LAUGHS)  Yeah.    
JEANNE: Yeah, I get that vibe from you.  And yet we still haven’t had it and you don’t seem like the type who usually waits.    
TONY: Yeah.  Well, it could be because you remind me of my sister.    
JEANNE: You said you were an only child.    
TONY: I am.    
JEANNE: Could I have a serious answer?  Please?    
TONY: I don’t want to rush things.    
JEANNE: Date two is rushing things, Tony.  Date eleven, that’s a violation of the Geneva Convention.    
TONY: “If you always do what you’ve always done, then you’ll always get what you always got.”  And while what I got had its perks, I’m looking for something different now.    
JEANNE: Okay, Tony.  But just so you know, whenever you’re ready, so am I.    
  (MUSIC OVER ACTION/KISSING)   
     
  CUT TO:    
  


   
 INT. AUTOPSY ROOM – NIGHT     
     
ABBY: And when we finished bowling, he walked me to my car.    
SHEPARD: And?    
ABBY: And he said, “I hope to see you soon, Babydoll.”  Gave me a peck on the cheek and then he left.    
SHEPARD: Short and sweet.    
ABBY: Oh, he is.    
GIBBS: Hey, I’ve been looking all over the building for you.    
SHEPARD: Ah, since we were low on agents, I thought I’d give Abby a hand.    
GIBBS: The only reason we are low on agents, is because you sent Dinozzo home.    
SHEPARD: Well, there’s no sense in getting us all sick.    
ABBY: (AS GIBBS)  Next time you send one my team home, you clear it with me first, Director!  (AS SHEPARD)  Oh, I didn’t know I needed your permission to manage my own personnel, Agent Gibbs.  (AS GIBBS)  Your personnel!?  (AS SHEPARD)  Last time I checked, it said Director on my door, not yours!  (AS ABBY)  The kids don’t like it when Mommy and Daddy fight.    
GIBBS: Have you got the call log off the cell phone we found on Seaman Petty?    
ABBY: There was damage on the DC run to the SIM chip.  Probably from the fall.    
  (SFX: CELL PHONE CHIMES)   
ABBY: Okay.  Wow, fifteen missed text messages.  Someone’s really trying to get a hold off--    
  (PHONE RINGS)   
ABBY: Oh, no.  What do I do?  Do I answer it?    
GIBBS: Put it on speaker.    
ABBY: (INTO PHONE)  Hello! (BEGIN TELEPHONE INTERCUTS)   
     
  (SCENE CUT)    
     
MCGEE: (INTO PHONE)  Finally!  Where the hell are you?    
     
  (SCENE CUT)    
     
GIBBS: (INTO PHONE)  McGee?    
     
  (SCENE CUT)    
     
MCGEE: (INTO PHONE)  Boss?  Why do you have my sister’s cell phone?    
     
  (SCENE CUT)    
     
GIBBS: (INTO PHONE)  I’ve got a better question for you.  What is your sister’s cell phone doing on my dead body? 

(END TELEPHONE INTERCUTS)   
     
  (MUSIC UP AND OUT)    
     
 MUSIC IN:    
     
 INT. SQUAD ROOM - DAY     
     
  (ELEVATOR DINGS/ DOOR OPENS/ CLOSES)    
TONY: Oh, and I thought being sent to the principal’s office was bad…    
ZIVA: He’s still in the elevator?    
TONY: Per Gibbs’ orders, awaiting El Jefe’s arrival.    
  (SFX: ZIVA WHISTLES)   
ZIVA: How mad is he?    
TONY: Well, considering he’s been covering for his sister who is implicated in the death of a Navy sailor…    
  (ELEVATOR DINGS/ DOORS OPEN)    
GIBBS: What were you thinking, McGee?    
  (ELEVATOR DOORS CLOSE)   
TONY: I’d say he’s handling it pretty well.    
     
  CUT TO:    
     
 INT. ELEVATOR – DAY     
     
MCGEE: I would apologize, but I know how you feel about that.    
  (SFX: ELEVATOR STOPS)   
GIBBS: You got your voice back.    
MCGEE: I never lost it.    
GIBBS: No kidding!    
MCGEE: I know withholding evidence is a violation of NCIS policy.    
GIBBS: And a crime!  One that I don’t really care about.  Why didn’t you come to me?    
MCGEE: I was going to.  When I saw the body, I knew I had to bring Sarah in.    
GIBBS: No!  Before that.    
MCGEE:

 

MCGEE: I couldn’t take the chance.  I don’t know what my sister did or didn’t do.  But I know what it looked like. 

(CONT.)  And we say “Better ten guilty men go free than one innocent get punished,” but I know from experience it doesn’t always work out like that.  I couldn’t take that chance with Sarah, not with the police, not with NCIS, not even with you.  (BEAT)  She’s my sister. 




(SFX: ELEVATOR STARTS)   
GIBBS: Apology accepted.  (SIGHS)    
     
  CUT TO:    
     
 INT. SQUAD ROOM - DAY     
     
  (SFX: COMPUTER BEEP TONES)   
TONY: Cute girl.  Hey, this is the one I found on McGee’s iPod.  I knew there was no way she could be his girlfriend.  Poor McGee got the shallow end of the gene pool.    
ZIVA: They’re here. (SFX: ELEVATOR DINGS/ DOORS OPEN/ CLOSE)    
TONY: I thought for sure Probie would be limping.  (TO GIBBS)  Getting soft in your old age there, Boss?  Prime of your youth, Sir?    
ZIVA: We needed it for the BOLO.    
MCGEE: Please tell me that’s not for--    
TONY: Citing a bench warrant for grand theft auto.    
MCGEE: Guess that’s better than a BOLO for murder.    
ZIVA: We need to find her, McGee.  Right now, she’s our main suspect.    
MCGEE: Witness.    
GIBBS: Spoke to the taxi driver who picked your sister up.  He places her at the crime scene.    
TONY: And Abby confirmed the blood type on your sister’s clothes matches Seaman Petty.  That’s more than witness, Probie.    
ZIVA: And there are the emails.    
TONY: Like the one that starts “Dear Manwhore, and ends with “If I ever see you again, I will kill you.  Love, Sarah?”  I got them off Seaman Petty’s email.  Throw them on the pile and they add up to ….    
ZIVA: Motive and opportunity.    
GIBBS: Why is she running?    
MCGEE: She’s mad.  She’s scared.  Says she has nothing to do with the murder, thinks I don’t believe her.    
ZIVA: Do you?    
MCGEE: Sarah is not a killer.    
GIBBS: But...?    
MCGEE: But an accident’s another story.  If she was drugged--    
ZIVA: She wasn’t.  Abby ran the urine sample you took, and it was clean.    
GIBBS: Any other suspects?    
TONY: Navy Seaman Petty’s cheerleader girlfriend.    
ZIVA: At least your sister’s not the only one writing threatening emails.    
TONY: Cheerleader was worried Popeye was getting his spinach somewhere else.    
GIBBS: Address?  Ziva, I want that taxi impounded.  Dinozzo, you’re on McGee’s sister.    
TONY: Ah, a great pleasure, Boss.    
MCGEE: Boss, maybe Tony would be better on the --    
GIBBS: McGee?    
MCGEE: Yeah?    
GIBBS: Go home.  I can’t have you working this case.    
MCGEE: If I go home, how do you know I won’t keep working on it?    
GIBBS: (BEAT)  Come on! (V.O.)  I’ll keep an eye on you.    
  (MCGEE AND GIBBS WALK O.S.)   
ZIVA: Hey, are you wondering if she did it?    
TONY: No, I’m wondering why McGee never told me he had a sister.    
     
  CUT TO:    
     
 INT. DORM COMMON AREA – DAY     
     
  (MUSIC OVER ACTION/CAMERA PANS AROUND COLLEGE STUDENTS)   
  (SFX: VOICES B.G.)   
     
  CUT TO:    
     
 INT. DORM ROOM – DAY     
     
CAROLYN: This is Jeff in Bahrain.    
GIBBS: Handsome kid.    
CAROLYN: He loved wearing that uniform.  Almost as much as I loved seeing him in it.  He was supposed to meet me at the food court.  We were having freshman cheerleader initiations later that night, but I wanted to make time to surprise Jeff with … a surprise.    
GIBBS: He never showed.    
CAROLYN: I just figured his ship was late.    
     
  CUT TO:    
     
 INT. DORM COMMON AREA – DAY     
     
MADISON: If we can’t get this thing working, I’m going to have to find some geeks who can.      
STUDENT: (V.O.)  Don’t worry.  We can do it.    
MADISON: Huh!  Seen enough?    
MCGEE: No, no, no.  No, actually, um… I was checking the water gun here.  The check valve is on backwards.  If you flip this…    
GIBBS: (V.O.)  It sounds like you and Jeff had a perfect…    
     
  CUT TO:    
     
 INT. DORM ROOM – DAY     
     
GIBBS: … relationship.    
CAROLYN: We did.  We were going to get married.  You better make her pay for this.    
GIBBS: Who?    
CAROLYN: That jealous bitch, Sarah McGee.  She couldn’t deal with the fact that Jeff wanted me instead of her.  She sent him threatening emails.  She trashed me in her blog.    
GIBBS: Blog?    
CAROLYN: Yeah.    
GIBBS: What’s a blog?    
CAROLYN: It’s a … blog, you know.    
GIBBS: No, I don’t know.    
CAROLYN: It’s something losers put online so that everyone can read.  Are you going to arrest her or not?  I saw her at the food court with her geek friends.  When she found out that Jeff was coming to meet me, she left to find him.    
MCGEE: How do you know she didn’t just leave?!    
CAROLYN: Because she killed him!    
MCGEE: Boss…    
GIBBS: Hey!    
     
  CUT TO:    
 

    
 INT. HALLWAY     
     
GIBBS: I told you to wait outside.    
MCGEE: Why didn’t you ask her about the emails?    
GIBBS: Maybe I don’t want her to know that I know about the emails, McGee.  There’s a reason I told you to stay outside.    
MCGEE: And there’s a reason that I came in.  Look.    
     
  CUT TO:    
     
 INT. SHEPARD’S OFFICE – DAY     
     
  (DOOR OPENS)   
SHEPARD: Come on in.    
  (DOOR CLOSES)   
SHEPARD: I take it this isn’t a social call.    
TONY: I need some advice.    
SHEPARD: And you came to me?    
TONY: Well, it was either you or Gibbs, and his track record with women sucks.  So…  (BEAT)  I’m finding um… myself in a particularly odd situation with… someone… special.    
SHEPARD: Odd?    
TONY: Odd, yeah.  Odd.  Because we’ve been going out for over a month and w-we haven’t done something that I usually do uh, you know, a lot … a lot earlier than that.    
SHEPARD: And may I ask what it is that’s holding you back from doing what you usually do?    
TONY: Yeah.  Um… because of the particular importance of this person, I thought it would be a good idea to take things slowly, which is kind of a new concept for me.  But at a certain point things have to speed up.  R-Right?    
SHEPARD: Are you attracted to her?    
TONY: Oh, yeah.  Yeah.  I could make a meal.    
SHEPARD: Is she attracted to you? (BEAT) So what’s the problem? (TONY NODS HIS HEAD)   
  (SFX: CELL PHONE RINGS)   
TONY: (INTO PHONE)  Dinozzo. (BEGIN TELEPHONE INTERCUTS)   
     
ZIVA: (INTO PHONE)  BOLO just came back on McGee’s sister.  Campus security has her.    
     
  (SCENE CUT)    
     
TONY: (INTO PHONE)  Well, let Gibbs know.  He’s there with McGee.    
     
  (SCENE CUT)    
     
ZIVA: (INTO PHONE)  I did.  He wants us to bring her in.    
TONY: (V.O./FILTERED)  Okay, I’ll be right down.    
     
  (SCENE CUT)    
     
  (END TELEPHONE INTERCUTS)   
SHEPARD: Good luck.    
     
  MUSICAL BRIDGE TO:   
     
 INT. LIBRARY STACKS – DAY     
     
TATE: I’m Security Officer Tate.  One of the librarians reported her.  Apparently she sleeps here a lot.    
ZIVA: Ah, how McGee-ish of her.    
TONY: Must be in the McGeenome.    
TATE: You want her for more than GTA, don’t you?  (BEAT)  I didn’t have the authority to arrest her, but if you want me to, you know --     
ZIVA: We’ll take it from here.    
  (TONY AND ZIVA WALK TO SARA AT THE DESK)   
  (SFX: TONY CLEARS HIS THROAT)   
SARAH: No, you can’t have my number.    
TONY: I already have your number, Sarah.    
SARAH: It’s not what you guys think.  My eyes water when I read a lot and these lights are really crappy.  Are you guys here to arrest me?    
TONY: No.    
ZIVA: You do have to come with us, though.    
SARAH: Yeah, sure.  Are you guys just being nice to me ‘cause Tim’s my big brother?    
TONY: No, I’m always nice to hot girls.    
SARAH: You must be Tommy.    
TONY: Tony.    
SARAH: Sorry, in Tim’s book you’re Tommy.  Which would make you Lisa.    
     
  MUSICAL BRIDGE TO:   
     
 INT. SQUAD ROOM - DAY     
     
  (SFX: VOICES B.G.)   
MCGEE: Where have you been?!    
SARAH: The library.  I told you I had to study.  You know, Tony is much cuter than Tommy.    
MCGEE: Tommy?    
TONY: Hmm.  You know, if you rearrange these letters, you get…     
ZIVA: Timothy McGee!    
SARAH: You should have told me this was a secret!    
TONY: I can’t wait to read about your swashbuckling, socially repugnant Special Agent Tommy.    
ZIVA: (GIGGLES)  And Lisa, the sultry and emotionally distant Mossad Officer.    
TONY: Or their boss, L.J. Tibbs, who (READS) “drinks to alleviate the burden of his Messianic complex.”  Where is L.J., Dead Agent Walking?    
MCGEE: Evidence garage.    
  (SFX: TONY CHUCKLES)   
MCGEE: Tony!  Tony! (TO SARAH)  I’m going to kill you!    
     
  CUT TO:    
     
 INT. EVIDENCE GARAGE – DAY     
     
GIBBS: Where’d you find it, Abs?    
ABBY: Stuffed behind the seat cushion.    
  (ELEVATOR DINGS/ DOORS OPEN/ CLOSE)    
TONY: Hey, Boss?    
     
  CUT TO:    
     
 INT. TAXI – FLASHBACK     
     
VOICE: (V.O./MUFFLED)  Are you okay?    
PETTY: (V.O./MUFFLED)  Sarah!  Hey, no!      
     
  CUT TO:    
     
 INT. EVIDENCE GARAGE – DAY     
     
MCGEE: You didn’t find that in the taxi, did you?    
  (MUSIC UP AND OUT)    
     
 FADE IN:    
     
 INT. OBSERVATION ROOM    
     
ZIVA: (V.O.)  Who studies while they wait to be interrogated for murder?    
TONY: A McGeek.  (READS)  “Lisa’s eyes reminded him of emeralds.”    
ZIVA: Oh.    
TONY: (READS) “Flawed only by the icicles in her heart.”    
ZIVA: He’s dead.  (READS)  “And the field Agent Tommy is a dogged pursuer of dirt bags!”    
TONY: Yeah.    
  (ZIVA CHUCKLES)   
ZIVA: And any skirt over the age of eighteen.    
TONY: (TO SARAH)  Your brother’s dead.    
SHEPARD: (V.O.)  Sarah threatened to kill Seaman Petty by email.    
     
  CUT TO:    
     
 INT. AUTOPSY ROOM - DAY     
     
SHEPARD: A taxi picked her up near the crime scene at the time of the murder.  The blood on her clothes matches the victim’s and her fingerprints are on the murder weapon.  Other than being your sister, is there any evidentiary reason why she shouldn’t be charged?    
MCGEE: But she is my sister, Director.  Sarah may have a temper, but she lashes out with her mouth or a pen, not a knife.
    
SHEPARD: And I hope you have more to offer than brotherly love, Agent McGee.    
MCGEE: She was drugged.  She showed up at my door groggy, barely able to walk.  She couldn’t remember anything except leaving the food court.    
SHEPARD: The lab reports for drugs and alcohol were negative.    
MCGEE: Well, by the time those tests were taken, whatever was in her system had metabolized.    
SHEPARD: And if that’s true, whose fault is that?    
MCGEE: Mine.  I should have taken Sarah in.    
SHEPARD: (OVERLAP)  But you didn’t bring her in!  Agent DiNozzo and Officer David did, so your actions – or should I say inactions – did nothing to help your sister.  But it did impugn the integrity of this agency!    
MCGEE: Forgive me, Director, for not putting the integrity of NCIS before my sister!  It won’t happen again.    
  (MCGEE WALKS TO THE DOOR)   
  (DOOR OPENS/ CLOSES)   
  (DOOR OPENS)   
     
  CUT TO:    
     
 INT. SQUAD ROOM - DAY     
     
GIBBS: McGee!  Hey!    
MCGEE: Boss, don’t try and talk me out of this.    
GIBBS: Never let someone manipulate you like that again.  Not even the Director!    
MCGEE: She wanted me to quit?    
GIBBS: It’s her job to protect NCIS.  Come here.  Sit down.    
MCGEE: Boss, you don’t think that--    
GIBBS: You sit out here until I get back!    
MCGEE: Boss, you don’t think Sarah did it, do you?    
GIBBS: I don’t know, McGee.  I’ll know after I interrogate her.    
MCGEE: Can I watch from--    
GIBBS: No!    
MCGEE: Please, from observation!?    
GIBBS: (OVERLAP)  No!    
MCGEE: Boss, I can’t just sit here.    
GIBBS: Here.  Read a book.    
     
  CUT TO:    
     
 INT. INTERROGATION ROOM    
     
  (DOOR OPENS/ CLOSES)   
GIBBS: What’s your major?    
SARAH: English Lit.    
GIBBS: You intend to be a writer like your brother?    
SARAH: I intend on being a writer.    
GIBBS: Why the smartass answer?     
SARAH: What?!    
GIBBS: You put your brother down.    
SARAH: No, I didn’t.    
GIBBS: Yeah, you did.  He just resigned because of you.    
SARAH: No!  But Tim loves NCIS.    
GIBBS: Evidently he loves you more.    
  (SFX: SARAH CRIES)   
SARAH: I’m sorry.    
GIBBS: Fake tears don’t bother me.    
SARAH: I don’t fake tears!    
GIBBS: Just lapses in memory.
    
SARAH: I don’t remember!  (LONG BEAT)  I just get… quick film cuts.    
GIBBS: Hold onto them.    
SARAH: I can’t.    
GIBBS: Because you don’t want to.    
SARAH: I do.    
GIBBS: If you did, you’d remember.    
SARAH: And how would you know?    
GIBBS: I’ve been there.    
     
  MUSICAL BRIDGE TO:   
     
 INT. CAFETERIA/CAMPUS – FLASHBACK     
     
PETTY: (MUFFLED)  Sarah, stop it!  Stop it!  What are you doing?  What are you doing?    
SARAH: (MUFFLED)  No!  No!  No!    
     
  CUT TO:    
     
 INT. INTERROGATION ROOM    
     
SARAH: I stabbed him.  (CRYING)  I stabbed Jeff!    
     
  CUT TO:    
     
 INT. SQUAD ROOM - DAY     
     
ABBY: What’s your sister’s favorite pizza?    
MCGEE: What?    
ABBY: Her favorite pizza!  Come on, Tim.  It’s not a trick question.    
MCGEE: Uh… cheeseless with pickles, Tabasco and peanut butter.    
ABBY: (SHOUTS)  Yes!  Yes!  Yes!    
MCGEE: Yes?    
ABBY: Your sister was doped.  Where’s Gibbs?  Where is everybody?    
MCGEE: Interrogation.    
ABBY: Well go get him and bring him down to my lab.  And there’s more!    
     
  CUT TO:    
     
 INT. OBSERVATION ROOM    
     
  (SFX: SARAH CRIES B.G.)   
  (DOOR OPENS/ CLOSES)    
MCGEE: Abby’s got great news.  It’s not great, it’s actually terrible, but it explains why Sarah can’t – what did Gibbs do to my sister? (SFX: SARAH CRIES B.G.)   
TONY: Nothing.  She admitted stabbing Seaman Petty.    
  (DOOR OPENS)   
     
  CUT TO:    
     
 INT. INTERROGATION ROOM    
     
  (DOOR OPENS)   
MCGEE: Sarah doesn’t know what she’s saying.    
GIBBS: McGee.    
MCGEE: Boss, she was drugged.  Abby has proof.    
GIBBS: Stay with her.    
  (DOOR CLOSES)   
MCGEE: Hey.  Hey.    
SARAH: (CRYING)  I remember the knife.  I remember Jeff lying there.    
MCGEE: Oh, no, no, no, no.  My little sister could never kill anyone.    
     
  CUT TO:    
 INT. ABBY'S LAB - DAY     
     
ABBY: I was pouring over all the forensic evidence.  The trash from the crime scene, and every inch of the taxi, and I realized that the floor mat smells like Nilosorb.    
TONY: Nilosorb? (SFX: TONY COUGHS)   
GIBBS: Industrial vomit cleaner.    
ABBY: So I took what was left down there.  I ran it through the mass spec, and found what McGee has confirmed to be Sarah’s favorite late night snack.  Cheeseless pizza with Tabasco, pickles, and peanut butter.    
ZIVA: Yuck!    
ABBY: But I also found traces of sodium oxybate – a.k.a. GHB.  It didn’t show up in her urine sample because it metabolizes so quickly.  Which is probably what makes it such a popular date-rape drug.    
TONY: You think Seaman Petty tried to rape her?    
ZIVA: Her ex-boyfriend?    
TONY: There’s nothing like a death threat from an ex-girlfriend to get your dander up.    
ZIVA: Are you talking from experience, Tony?    
ABBY: So the levels of GHB allowed me to triangulate a window of exposure.  She was dosed at the food court.    
GIBBS: Dinozzo.    
TONY: Pull the security tapes from the food court.  On it, Boss! 
(TONY WALKS O.S.)   
GIBBS: Ziva!    
ZIVA: Names of food workers, janitors, and anyone working that night. 
(ZIVA WALKS O.S.)   
GIBBS: What was I going to tell you?    
ABBY:  I don’t know.  What were you going to tell me, Il Magnifico?    
  (SFX: KISS)   
GIBBS: Good job.    
ABBY: But I have more!  I solved the mystery of the smoking goldfish.  At first I couldn’t figure out how they were lighting the cigarettes underwater.  And then I found this.  They were trying to kick the habit.  Our little Nemos were swimming in a bag that sprung a leak.  Sprang a leak.  Sprung, sprang, sprung – so their little lives flashed before their eyes in a nicotine buzz.  Hey, do you think since goldfish only have three seconds of memory--    
GIBBS: Abby, get Ducky on that.    
ABBY: I don’t know, Gibbs.  That is a very complicated piece of equipment.  Probably have to go get the manual out, and--    
GIBBS: Abs!    
ABBY:  Ducky?    
DUCKY: (ON MONITOR) Yes, my little lotus blossom.    
ABBY: Gibbs wants you!    
GIBBS: You know when the goldfish died?    
DUCKY: (ON MONITOR) Well, I was just determining the time they expired.    
ABBY: Are you using a little teeny tiny liver probe?    
DUCKY: (ON MONITOR) Being cold-blooded, temperature is useless in determining the time of death.    
GIBBS: So you don’t know?    
DUCKY: (ON MONITOR) Au contraire.  They died about the same time as our victim.    
ABBY: Now how did you calculate that?    
     
  CUT TO:    
 


    
 INT. SQUAD ROOM - DAY     
     
GIBBS: Track Sarah McGee from the time she enters until she leaves.    
TONY: Uh… okay.  Uh… oops.  Uh… that was the wrong way.  I’m sorry.  Sorry, Boss.  One second. (SFX: KEYBOARDING B.G.)   
GIBBS: Dinozzo.    
  (SFX: KEYBOARDING/ BEEP TONES B.G.)   
  (ZIVA GIGGLES)   
TONY: It froze.  This is sort of a McGeek thing.  (SFX: KEYBOARDING)   
GIBBS: Get him!    
  (TONY RUNS O.S.)   
GIBBS: Do you know what a clog is?    
ZIVA: A shoe or a block to drain?    
GIBBS: On the Internet.    
ZIVA: I thought that was a blog, but my English is often wrong.    
GIBBS: Sarah McGee wrote a blog trashing her and the cheerleaders.  You think you can find it?    
ZIVA: Probably on MySpace.  Who is she?    
GIBBS: Seaman Petty’s girlfriend.  Sarah’s ex-roommate.    
  (SFX: KEYBOARDING)   
ZIVA: Ha!  (READS)  “These preppy little girls, all skanked up to the nines in their adorable cheerleading uniforms, which had been mistakenly ordered in children’s sizes, were engaged in strangely homoerotic, Adderol-fueled spastic movements that they called dance routines.”    
TONY: Where’s that from?    
SARAH: It’s my blog.    
TONY: Ha ha.  You should let your sister ghost-write for you, Probie.    
GIBBS: Find your sister entering the food court.  How do you get a ready-made cheeseless pizza with Tabasco sauce, pickles, and peanut butter?    
SARAH: Oh, I make it myself.  The food court has everything but peanut butter, so I carry a jar in my backpack.    
GIBBS: McGee, isolate her table.    
MADISON: (V.O.)  Ready?!    
     
  MUSICAL BRIDGE TO:   
     
 EXT. QUAD AREA – DAY     
     
MADISON: One, two, down, up!  Steady!  Hold it, Heather!  Oh, take five!    
CAROLYN: Whatever happened to quitting?    
MADISON: After football season.  Why don’t you go home?    
CAROLYN: I’d rather be here.    
MADISON: Seen enough of my ass?    
MCGEE: What do you think, Tony?    
TONY: I don’t know.  There’s a lot to see.    
MADISON: (GASPS)  Stay the hell away from me, jerk!    
TONY: It’s amazing what a college education does for a girl’s vocabulary, don’t you think?    
MCGEE: Astonishing.  I believe you know my sister.    
  (SFX: SLAP)   
SARAH: That was for spiking my peanut butter!    
  (SFX: SLAP)   
SARAH: And that was for setting me up to be raped.    
TONY: This is for being an accessory to murder.     
MADISON: What?!    
CAROLYN: Madison!    
MADISON: They’re framing me!  I didn’t do anything!    
MCGEE: We’ve got you starring in the Food Court Show.    
TONY: Spiking Sarah’s peanut butter with GHB.    
MADISON: Oh, yeah.  Try and prove that from a security camera!    
SARAH: Your greasy paw prints are all over my peanut butter jar.    
MCGEE: And we have you leaving the food court with Officer Tate.    
CAROLYN: You murdered Jeff?    
MADISON: (SHOUTS)  No!  I was just using Tate to get even for this bitch’s blog, and Jeff saw Tate grappling with her and tried to play hero.      
     
  CUT TO:    
     
 EXT. CAMPUS – FLASHBACK     
     
SARAH: (MUFFLED/ECHO F/X)  Get off!      
PETTY: (MUFFLED/ECHO F/X)  Let go of her! (PETTY MOANS B.G.)   
     
  CUT TO:    
     
 EXT. QUAD – DAY     
     
MADISON: Tate stabbed him.  I dropped everything and ran!    
TATE: You stabbed him!  Put the knife in her hand, put the cell phone in his pocket.     
MADISON: You lying bastard!    
TATE: Lying bitch!    
GIBBS: Get them out of here.    
TATE: I didn’t do anything!    
TONY: (OVERLAP/V.O.)  You have the right to remain silent.  You have the right to do splits. (TONY/TATE AND MADISON WALK O.S.)   
MADISON: (V.O.)  Let go of me!  I didn’t do anything!    
TATE: (V.O.)  Yes, you did!  Madison did it!    
MADISON: (V.O.)  Oh, shut up!    
SARAH: I’m sorry.  Jeff was a great guy, and he really loved you.    
CAROLYN: How would you know?    
SARAH: He emailed me.  He said he was sorry, but he’d met his soul mate.  It was you.    
  (SFX: CAROLYN CRIES B.G.)   
GIBBS: Sometimes, McGee…. a little lie – it’s good for the soul.    
     
  (MUSIC UP AND OUT)    
     
  (ENDING CREDITS UP AND OUT)   
     
   
* * * * * * * *


Prepared by C.C.   Printed in USA
Calvert Continuities   Aired 11/21/06





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NCIS, S16E19 (inédit)
Mardi 9 avril à 20:00
11.82m / 1.2% (18-49)

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Actualités
NCIS | Diffusion M6 - 15.17 : Coup de massue

NCIS | Diffusion M6 - 15.17 : Coup de massue
Le NCIS et l'agent spécial Leroy Jethro Gibbs continuent leur service ce soir sur M6! C'est dès 21h...

NCIS:NO | Synopsis - 5.23 : The River Styx, Part 1

NCIS:NO | Synopsis - 5.23 : The River Styx, Part 1
CBS a dévoilé le synopsis de l'épisode 5.23 : The River Styx, Part 1 qui sera diffusé le 7 mai...

NCIS| Diffusion CBS - 16.22 : ...and Executioner

NCIS| Diffusion CBS - 16.22 : ...and Executioner
CBS a dévoilé le synopsis de l'épisode 16.22 : ...and Executioner qui sera diffusé le 30 avril...

NCIS:NO | Synopsis  - 5.22 : Chaos Theory

NCIS:NO | Synopsis - 5.22 : Chaos Theory
CBS a dévoilé le synopsis de l'épisode 5.22 : Chaos Theory qui sera diffusé le 30 avril...

NCIS:NO | Diffusion CBS - 5.20 : Jackpot

NCIS:NO | Diffusion CBS - 5.20 : Jackpot
Le NCIS et l'agent spécial Dwayne Pride commencent leur service ce soir sur CBS! C'est dès 22h que...

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CastleBeck, Hier à 14:04

Le quartier Castle vous propose un concours d'affiches. Toutes les infos sur le quartier. Bonne journée

Locksley, Hier à 17:37

Pour un moment de lecture super sympa l'interview du mois d'avril est disponible à l'Accueil ! Enjoy !

choup37, Hier à 18:15

Plus que deux votes pour valider les designs de Kaamelott et Doctor Who!

juju93, Hier à 18:16

128 personnalités dont acteurs et personnages de série. Venez défendre les vôtres en participant à l'animation en cours sur The L Word

cinto, Hier à 19:19

The Tudors fait peu neuve: nouveau sondage, nouvelle PDM, nouveau pendu; une visite fait toujours plaisir. Merci!

Viens chatter !

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