VOTE | 555 fans

NCIS
#111 : L'oeil de l'espion

Synopsis: Un capitaine de corvette, conseillé technique auprès d'une entreprise d'armement sous contrat avec l'armée, est retrouvé mort sur une plage. Le NCIS se verra confier l'affaire. Ils enquêteront sur cette mort suspecte jusqu'à ce qu'ils se rendent compte qu'un opérateur a utilisé un satellite pour filmer un bain de minuit cette nuit-là.

Popularité


3.33 - 6 votes

Titre VO
Eye spy

Titre VF
L'oeil de l'espion

Première diffusion
13.01.2004

Première diffusion en France
01.09.2004

Plus de détails

Réalisateur : Alan J. Levi
Scénario : George Schenck & Frank Cardea & Dana Coen

Bruce Gray (Directeur de la CIA Roper)
James Morrison (Assistant du directeur de la CIA Jonathan Overmeier)
Greg Zola (Worth)
Marguerite MacIntyre (Commandant Lauren Tyler)
Mercedes Colon (Gina)
Katy Boyer (Lieutenant Egan)
Victor McCay (Ash)
Parry Shen (Ben Richmond)
Patrick MacManus (Apprenti marin Sparks)
Howard Dell (Directeur de gym)
John Marrott (Maître-chef Roo)
Jane Hajduk (Femme séduisante)

 

MUSIC IN:           

     
 EXT. SPACE – DAY     
     
  (CAMERA CLOSE ON MONITOR)    
     
  MUSICAL BRIDGE TO:   
     
 INT. OFFICE – DAY    
     
  (SFX: KEYBOARDING B.G.)   
  (KNOCK ON DOOR)    
  (DOOR OPENS/ CLOSES)    
BEN: I’ve got ten minutes before Ainsley comes looking for me, so what’s the big emergency?    
JEREMY: No one can know about this.    
BEN: Okay.    
JEREMY: We haven’t got much time.  I was repositioning from Cuba up towards Quebec, guess it hit a glitch over Virginia – Little Creek Naval Base…    
BEN: (SIGHS) God bless America.  

 
JEREMY: She’s really cold.    
BENJAMIN: Really.  Cold.    
JEREMY: Better than monitoring ship movements in the Atlantic.    
BEN: As long as we don’t get caught.    
JEREMY: Uh-oh.  A problem.    
BEN: Someone else must be there.  Damn.  Oh, no no no, sweetie.  Nobody’s looking.  All right.  All right.  Where’d she go?    
  (CAMERA ANGLE ON MONITOR/ CLOSE ON BEACH SCENE)   
JEREMY: What just happened?      
BEN: Punch in.    
  (MUSIC OUT)   
     
  (THEME MUSIC UP OVER OPENING TITLE/SCENES/ CREDITS AND OUT)   
     
 FADE IN:    
     
 INT. SQUAD ROOM – DAY    
     
 “EYE SPY” (ELEVATOR DOORS SLIDE OPEN)   
TONY: (MUMBLES)  Good morning, Kate.    
KATE: I assume that was good morning.      
TONY:  (MUMBLES re DOUGHNUT)   Want one?    
KATE: No.  Thanks.    
TONY: (MUMBLES) Really good.  

 
KATE: Not worth the price.  I like keeping my belt notched exactly where it is.    
TONY: What’s that supposed to mean?    
KATE: What mean?    
TONY: The whole sort of raised eyebrows winky thing.    
KATE: Nothing, really.  Just a…a nervous tic.    
TONY: I’ve weighed exactly the same since the day I graduated from college.  Never up, never down.    
KATE: Certainly you would know.  Do you weigh yourself a lot?    
TONY: I never weigh myself.    
KATE: I see.  Huh.  I don’t pay that close attention to your body, Tony.    
TONY: Really?    
KATE: But Tony, If you’re happy with the way you are, that’s all that counts.    
  (PHONE RINGS)   
GIBBS: (INTO PHONE) Gibbs.  Mm-hmm.    
  (GIBBS HANGS UP THE PHONE)   
GIBBS: We’ve got a murder at Little Creek.  Get Ducky. (GIBBS WALKS O.S.)   
KATE: Are you all right?    
TONY: Couldn’t be better.     
     
     
  MUSICAL BRIDGE TO:   
     
 EXT. BEACH – DAY    
     
GIBBS: Who found the body?    
ROE: I did.  An anonymous tip was called into Base Security saying someone was stabbed here.    
GIBBS: Victim been ID’d?  

 
ROE: Yes, Sir.  Lieutenant Commander Thomas Egan.  His wallet was found in the S-U-V.    
GIBBS: Kate, photos.    
KATE: Got it.    
     
TONY: Tag Heuer.  You don’t leave one of those around if you’re robbing a guy.    
GIBBS: You know the Lieutenant Commander’s assignment?    
ROE: Yes, Sir.  He’s attached as a technical advisor to Side-Scan, a civilian contractor on the base.  Don’t know any more.  Their work’s classified.    
GIBBS: Keep this under wraps, Master Chief.    
ROE: Yes, Sir.    
  (SFX: WAVES B.G.)   
DUCKY: We have a rising tide.    
GIBBS: Okay.  DiNozzo?    
TONY: Yo!    
GIBBS: You and me take measurements.  We’ll rebuild them later in the lab.  Kate, more photos!    
KATE: Gotcha.    
GIBBS: Gerald, take notes.    
GERALD: I’m on it.    
GIBBS: Come on, move it!      
DUCKY: We’ve got to keep him dry.    
GIBBS: I’ve got the sign.    
TONY: I’ve got the farthest boulder.    
GIBBS: Head and feet!      
TONY: Fifteen point seven one.    
GIBBS: Eleven point three six meters.    
GERALD: Fifteen point seven one.  Eleven point three six.  Got them.    
KATE: His dive knife is missing.    
DUCKY: Yeah, you didn’t see this coming, did you, my friend?  

 
  (SFX: WAVE B.G.)   
GIBBS: Hey, watch out!  Tide!    
  (TONY DIVES ONTO THE SAND)   
DUCKY: (CHUCKLES)  Well done, Tony.    
GIBBS: Bag him.    
DUCKY: I’ve got a spare suit in the van.    
KATE: Are you okay?  What is it?    
GIBBS: Shrinkage. (KATE LAUGHS)   
     
  MUSICAL BRIDGE TO:   
     
 INT. BUILDING – DAY    
     
TYLER: I just can’t believe Tom Egan is dead.    
GIBBS: When did you see him last?    
OVERMEYER: Early this morning.    
GIBBS: Where was the Commander going?    
TYLER: To conduct underwater tests on a piece of equipment.    
OVERMEYER: Did you find a device with his body?    
KATE: What kind of a device?    
OVERMEYER: It’s a handheld sonar gun.  I’ve got a wooden mockup of the prototype that we’re missing.  It uses sound echoes to create visual images.    
KATE: Like a sonogram.    
OVERMEYER: Yeah.      
TYLER: Not dissimilar.  Earlier types are larger, have to be towed behind water craft.    
OVERMEYER: And our version can be carried by a diver.  My company developed the concept; we brought it to the Navy.  Commander Tyler was assigned as my liaison.  

 
TYLER: I brought in Tom.  He was a sound-surveillance expert.  We were evaluating it.    
GIBBS: For use in harbor surveillance.    
OVERMEYER: Yes.  It’s the only working prototype that we have.  Its loss is just devastating to the military.    
GIBBS: And I bet to your company.  Where’s the Commander’s desk?    
TYLER: There.    
GIBBS: We’re seizing his computer, and anything else we find we need.  You understand.    
     
  CUT TO:    
     
 INT. QUARTER DECK – DAY    
     
SPARKS: (INTO PHONE) Little Creek Quarter Deck.  This is Seaman Apprentice Sparks speaking.  How may I help you, Sir, Ma'am?  Yes, Sir.    
TONY: Special Agent DiNozzo.     
SPARKS: They just can’t stop messing with the uniforms, can they, Sir?    
TONY: You on duty this morning?    
SPARKS: Yes, Sir.     
TONY: You take the call about the attack on the beach?    
SPARKS: Yes, Sir.  Call came in at zero nine thirty two.    
TONY: Get a name?    
SPARKS: No, Sir.  But the voice was male.  Sounded real nervous.  And when I started asking questions, he just hung up.    
TONY: You have caller I.D.    
SPARKS: Yes, Sir.  But the call that came in this morning was blocked.    
TONY: Well, it shouldn’t be too hard for NCIS to trace that.    
SPARKS: I’d write a letter, Sir.    
     
  MUSICAL BRIDGE TO:   
     
 INT. OFFICE – DAY    
     
TONY: Come on!  Come on, Magee!  You said you could do this.    
MAGEE: I didn’t say it was going to be easy.    
TONY: Actually, that’s exactly what you said only on the phone you ended it with a Sir.    
MAGEE: Well, that’s when I thought you were talking about going through the proper channels.    
TONY: Proper channels have too many bags.    
MAGEE: Well, lucky for you Little Creek has its own central exchange.  Otherwise the proper channels would be our only option.     
TONY: If I’m so lucky, then why haven’t you given me the number yet?    
MAGEE: The exchange handles all incoming calls to the base.  Do you have any idea how many calls came into Little Creek at zero nine thirty two?    
TONY: You know what my dad always said about excuses?    
MAGEE: Yeah, they’re like armpits.  Everyone has them and they all stink.     
TONY: Actually, he used a different part of the anatomy, but you got the main idea.  So whatever happened between you and Abby?    
MAGEE: Our paths still cross on occasion.     
TONY: Really?  I guess the tat on the old caboose did the trick.    
MAGEE: Among other things.    
TONY: You don’t say.  Did you see any art on her caboose?    
MAGEE: You’re right, I don’t say.  

 
TONY: I’ll take that as a no.    
MAGEE: Ah, found it.  You see, the new S-S-seven data circuits – they block display of the number.  But the calling party number message is still carried on the line.      
TONY: I don’t know what you just said.  I don’t care what you just said.  Just give me the number.  Why is there an asterisk?    
MAGEE: I’m not sure. (BEAT) Sir?    
TONY: That wasn’t an “at it, Sir,” look.   That was a “you’d better find out why,” look.    
MAGEE: Oh.  Sorry.    
TONY: Rookie mistakes.    
  MUSICAL BRIDGE TO:   
     
 EXT. EGAN RESIDENCE – DAY    
     
  (CAR BRAKES TO A STOP)   
KATE: Egan and his wife have been married for nine years.  They met when they were stationed in San Diego.    
GIBBS: Any kids?    
KATE: No.  Oh, my god!  It’s their anniversary next week.  It looks like the Navy was pretty good about stationing them at the same bases.    
GIBBS: How long have they been here in Little Creek?    
KATE: Egan was transferred here in March and his wife had to finish assignment in Panama City, Florida.  Then followed four months later.    
GIBBS: No matter how many times I do this, it never gets any easier.    
KATE: We should have had DiNozzo handle this interview.  

 
  (SFX: DOOR BELL RINGS)   
KATE: Just kidding!    
  (DOOR OPENS)   
GIBBS: Lieutenant Egan?  NCIS.    
     
  CUT TO:    
     
 INT. LIVING ROOM – DAY    
     
GIBBS: I’m aware there’s probably a better time to be doing all this.    
KATE: Where were you coming home from, Lieutenant?    
EGAN: Camp Lejeune for the weekend.  It was a human resources seminar.  When I got home the Base Commander and the Chaplain were here and I knew…      
GIBBS: When was the last time you spoke to your husband?     
EGAN: Last night.    
GIBBS: What time?    
EGAN: (SOBS)  I don’t know.    
GIBBS: Yeah, but if you could try to remember.    
EGAN: (CRIES) I don’t know!    
GIBBS: Lieutenant, I know this is hard.    
EGAN: (CRIES)  Sorry!  Around ten…before I went to bed.     
KATE: Did you know that he was going diving today?    
EGAN: But he went diving many times during the week.  He was a SEAL.  He was decorated.    
GIBBS: Did he tell you what he was working on?    
EGAN: No, Tom was very strict about need-to-know.  He didn’t discuss his work with anyone.  Not even me.     
     
  MUSICAL BRIDGE TO:   
     
 INT. AUTOPSY ROOM – DAY    
     
DUCKY: Would you do the honors, please, Gerald?    
GERALD: Sure thing.    
DUCKY: (BEAT)  What?    
GERALD: It moved.    
DUCKY: (CHUCKLES)  I don’t think so.      
GERALD: It moved, Doc.    
DUCKY: Remind me to check our inventory of alcohol swab.  (LONG BEAT)  He certainly was dead on the beach.    
  (DUCKY UNZIPS THE BODY BAG)   
DUCKY: Ooh!    
     
  CUT TO:    
     
 EXT. BASE DOCK – DAY    
     
GIBBS: What do you think, Kate?  Espionage? (TRUCK DOOR CLOSES)   
KATE: A Navy specialist is murdered and the classified device he has with him is missing.  It looks that way.    
GIBBS: Yeah.    
KATE: Oh, my god.    
TONY: Don’t even, okay?    
KATE: Did I say anything?    
TONY: You were.  I know you were.    
KATE: It’s a touch small, but other than that it’s fine.  And the bonus, no belt.    
GIBBS: DiNozzo.  The anonymous tip?      
TONY: It came from a restricted phone.  Area code seven zero three.     
KATE: Langley, Virginia.    
GIBBS: CIA.    
TONY: Wow, huh?    
GIBBS: Yeah.    
     
  (MUSIC OUT)   
     
 MUSIC IN:    
     
 INT. SQUAD ROOM – DAY    
     
KATE: It’s okay.  I got it, Tony.  Don’t you worry.  Wouldn’t want to disturb your lunch.    
TONY: You got me thinking, Kate.  Maybe I should improve my diet.    
KATE: When are you going to start?    
TONY: What do you call this?    
KATE: Bad things masquerading as something good for you?    
TONY: This is a nutrition bar.  It says so on the label.    
KATE: Did you read the label?  The little one with the ingredients not just the big one with the pretty colors?     
TONY: Oh, sarcasm is so not healthy, Kate.    
KATE: Neither is that.  Let’s see… we’ve got here, (READS)  High fructose corn syrup – basically sugar; uh… high maltose corn syrup – another sugar; sugar – sugar; fractionated palm kernel oil.  That sounds yummy!   And contains less than two percent natural flavor.  That would make it ninety eight percent artificial flavor.       
TONY: What are you saying?    
ABBY: So I hear Egan’s computer is waiting to get up close and personal with me.       
KATE: Be gentle.  I’m sure Tony will be more than happy to lug this downstairs for you.  He’s feeling healthy today.    
TONY: No problem.    
ABBY: Thanks, Tony.   Where’s Gibbs?    
KATE: With Director Morrow.  He’s trying to get a meeting with the CIA.    
ABBY: Ooh.  Why?    
KATE: That’s where the anonymous phone call came from.    
ABBY: Langley is like two hundred miles from Little Creek.  Doesn’t make any sense.    
TONY: Especially considering Ducky established time of death as approximately nine thirty.  And the tip was phoned in at nine thirty two.     
ABBY: It’s impossible.    
GIBBS: It isn’t if someone from the CIA was watching on a high-def satellite.    
     
  MUSICAL BRIDGE TO:   
     
 INT. ROBER’S OFFICE – DAY    
     
ROBER: (V.O.)  You’re accusing the Agency of spying on a U.S. Naval Station.    
GIBBS: Do you have a better explanation?    
ROBER: It didn’t happen, Agent Gibbs.     
GIBBS: I have a dead Lieutenant Commander and missing classified hardware and a phone call that originated from this building right after the murder.    
ROBER: I’m not denying we have the capability.  But you know as well as I do that it would be a violation of CIA mandate to operate domestically.    
GIBBS: Right.  You never do anything illegal?  We have the same Uncle writing our paychecks.  We do what we do to get the job done.    
ROBER: I appreciate the sentiment, Agent Gibbs.  

 
GIBBS: I don’t have a need-to-know to know why you have a satellite pointed at Little Creek.  I have a murder to solve.  I could use your help.    
ROBER: There’s nothing I can do to help you, Agent Gibbs.  If you’ll excuse me.    
     
  CUT TO:    
     
 INT. NCIS LAB – DAY    
     
  (MUSIC B.G.)   
ABBY: (INTO PHONE)  You’re on the air!    
GIBBS: (V.O./FILTERED)  Hey, Ab.    
ABBY: (INTO PHONE)  Gibbs, how did we do with the moles? (BEGIN TELEPHONE INTERCUTS)   
     
     
  (SCENE CUT)   
     
GIBBS: (INTO PHONE)  Spooks, Abby.  Spooks.    
     
  (SCENE CUT)   
     
ABBY: (INTO PHONE) I can never get that straight.    
     
  (SCENE CUT)   
     
TONY: (INTO PHONE)  Are you still in touch with the old NASA boyfriend?    
ABBY: (V.O./FILTERED) He wasn’t a boyfriend.    
     
  (SCENE CUT)   
     
ABBY: (INTO PHONE)  He was a boy-toy.  And yes, we I-M almost every day.    
     
  (SCENE CUT)   
     
GIBBS: (INTO PHONE)  You do?    
     
  (SCENE CUT)   
     
ABBY: (INTO PHONE)  Oh yeah.    
     
  (SCENE CUT)   
     
GIBBS: (INTO PHONE)  That’s good, right?    
     
  (SCENE CUT)   
     
ABBY: (INTO PHONE)  It’s very good.  Why?    
  (END TELEPHONE INTERCUTS)   
     
   CUT TO:     
     
 INT. MTAC ROOM – DAY    
     
ASHTON KUGEL: (ON MONITOR) Greetings from NASA, NCIS.    
ABBY: Whoa, Ashton, that was so Star Trek.    
ASHTON KUGEL: (ON MONITOR) Sorry I’m late.  I had a cluster of frozen reactor coolant heading for the flight path of an Atlas lift-off.  I had to delay the launch.  They were not happy about it.  I am, however, very happy to see you, Abby, and to help your NCIS crime-fighting colleagues.    
ABBY: Ah, you’re the best, Ashton!    
ASHTON KUGEL: (ON MONITOR) Oh, you are, Ab.    
ABBY: Thank you.    
ASHTON KUGEL: (ON MONITOR) We really should talk.    
ABBY: We really should talk.  

 
GIBBS: Special Agent Gibbs here.    
ASHTON KUGEL: (ON MONITOR) Of course.    
GIBBS: I appreciate your help.  We’re looking for SAT activity yesterday about zero nine thirty Eastern Standard.     
ASHTON KUGEL: (ON MONITOR) Roger that.  Geostationary?    
ABBY: Asynchronous.      
ASHTON KUGEL: (ON MONITOR) Multi-positional.    
ABBY: Very.    
ASHTON KUGEL: (ON MONITOR) Landstat seven?    
ABBY: Think CIA.    
ASHTON KUGEL: (ON MONITOR) Ah, K-H-twelve.    
ABBY: Improved crystals.    
ASHTON KUGEL: (ON MONITOR) Thermal infrared.    
ABBY: It gets hot down here.    
ASHTON KUGEL: (ON MONITOR) Target area?    
ABBY: Virginia Coast.    
ASHTON KUGEL: (ON MONITOR) We have entry.    
ABBY: Oh, you’re so good, Ashton.     
GIBBS: Any idea what department it came from?    
ASHTON KUGEL: Oh, pretty sophisticated blocking system on the K-H-twelve.  I’m afraid that task is a bit more complicated.  Complicated, but not impossible.  They overlooked the same technology on the Milstar satellite relays and…that particular satellite is controlled from building thirty-five-C, office four-oh-nine.       
ABBY: Bravo, Ashton! (END TELEPHONE CONVERSATION)   
     
  MUSICAL BRIDGE TO:   
   

 
 INT. NCIS SEDAN – NIGHT      
     
KATE: We’re lucky Abby could get in the system and pull his name off the office number.  There’s not much on him.    
GIBBS: CIA’s not big on bios.    
KATE: Jeremy Wirth….twenty-three… current address, thirty-five B Maple, Georgetown.  Graduated M-I-T at twenty.    
GIBBS: I’m impressed.    
KATE: Been with the Agency six months… working as a satellite analyst.  That’s all we got.    
GIBBS: Why would they use someone so green on such a covert assignment?    
KATE: Too bad we don’t have a photo.    
GIBBS: Don’t need one.  He’ll fit the profile.     
KATE: I think geeky, right?    
GIBBS: Well yeah, Kate, something like that.     
KATE: Ha!  Have you ever seen Robert Redford in Three Days of the Condor?    
GIBBS: Yes.    
KATE: That’s a geek I could get covert with.     
GIBBS: Kate, I would not get my hopes up.  Check it out.  (CHUCKLES)    
  (CAR DOOR OPENS/CLOSES)   
     
  CUT TO:     
     
 EXT. STREET – NIGHT     
     
KATE: Jeremy?    
JEREMY: Do I know you?    
KATE: My name’s Kate.  Kate Todd.  Can I talk to you?  

 
JEREMY: About what?  What’s NCIS?    
KATE: Naval Criminal Investigative Service.    
JEREMY: I’ve got nothing to talk to you about.    
GIBBS: I’m Special Agent Gibbs.  Same agency you haven’t heard of before.  Only I don’t take it personally anymore.    
JEREMY: I’ve got to go inside.    
KATE: We know where you work, Jeremy.  We suspect you’re the one that called Little Creek about the stabbing.  You need to tell us what you saw.    
JEREMY: I can’t say anything.    
GIBBS: Did the Assistant Director Rober have a little chat with you?    
JEREMY: He put me on administrative leave.  I’m under investigation.    
KATE: Rober didn’t know.    
GIBBS: No.  (TO JEREMY)  You were using the satellite without their knowledge.  Why were you watching Lieutenant Commander Egan?    
JEREMY: Who?    
KATE: The Naval officer who was murdered.     
GIBBS: You play ball with me, I can square it with Rober.     
JEREMY: You can do that?    
KATE: With the exception of finding a decent barber, Gibbs can do pretty much anything he says he can.    
JEREMY: I was watching…not watching… I wasn’t watching the guy in the wetsuit.  I was watching something else and happened to notice activity at the edge of the screen.     
GIBBS: What kind of something else would this be?    
JEREMY: A person.    
GIBBS: Female person?  

 
JEREMY: Yeah.    
GIBBS: Kind of a babe female person?    
JEREMY: Really hot.  I stumbled across her by accident.  She was polar tanning.    
KATE: Nude winter sunbathing.    
GIBBS: Must get cold.    
JEREMY: Oh, she was Sir.     
KATE: And you think that’s an appropriate use for a billion dollar satellite, Jeremy?    
JEREMY: I got a little off track with my priorities.      
GIBBS: That happens with hot babes sometimes.  So you didn’t see who attacked Commander Egan?     
JEREMY: When I tried to go close, the image pixilated.  All I saw was him go down.  Whoever it was ran off before I could adjust the picture.    
GIBBS: And that’s it?    
JEREMY: If I had access to the Agency’s computer, I could show you exactly what I saw.  All satellite transmissions are recorded on a hard drive at Langley.    
     
  CUT TO:    
     
 INT. ROBER’S OFFICE     
     
ROBER: What the hell are you up to, Gibbs? (BEGIN TELEPHONE INTERCUTS)   
     
  (SCENE CUT)    
     
GIBBS: (INTO PHONE)  I want the recording of a satellite transmission.    
     
  (SCENE CUT)    
     
ROBER: (INTO PHONE)  I don’t know what you’re talking about.    
     
  (SCENE CUT)    
     
GIBBS: (INTO PHONE)  Well, let me put Mister Wirth on.  He can explain it to you.      
JEREMY: (WHISPERS)  Oh no, no!  No!    
GIBBS: (INTO PHONE) Your analyst…    
     
  (SCENE CUT)    
     
GIBBS: (V.O./FILTERED)  ….was spying on a U.S. Naval base.    
ROBER: (INTO PHONE) You have Wirth?      
     
  (SCENE CUT)   
     
GIBBS: (INTO PHONE) I’m not sure what Congressional oversight committee he’s going to be spilling his guts to.  I mean, there are so many…    
     
  (SCENE CUT)   
     
GIBBS: (V.O./FILTERED)….to choose from these days.     
ROBER: (INTO PHONE)  How do we handle this?    
     
  (SCENE CUT)   
     
GIBBS: (INTO PHONE)  We’ll be there in fifteen minutes. 
(END TELEPHONE INTERCUTS)   
     
  MUSICAL BRIDGE TO:   
     
 INT. AUTOPSY ROOM – DAY    
     
DUCKY: Commander, based on the width and the jagged lower edge of the entry wound… it appears you were stabbed with your own knife.  The wound is consistent with a serrated, titanium beta alloy knife missing from your sheath.  Let’s see what we’ve got here.  Oh, seven inches.  Well, Gerald, what have we learned form this?     
GERALD: Seven inches.  It was a deep thrust.   Most of the blade.    
DUCKY: And?    
GERALD: And from the left to right angle.  The assailant was most likely left handed.      
DUCKY: So we’ve vastly limited the potential number of suspects.  Only nine percent of the world’s population is left-handed.  Interestingly, that percentage has remained the same since prehistoric times.  Archaeologists have been able to determine this by examining cave paintings more than ten thousand years old.    
GERALD: Don’t you think we should notify Gibbs?    
DUCKY: In due time.  Curiously enough, the Yanomami tribe in the Amazon are twenty three percent left-handed.    
     
  MUSICAL BRIDGE TO:   
     
 INT. NCIS LAB – DAY    
     
  (MUSIC B.G.)   
  (DOOR OPENS/ CLOSES)  

 
TONY: Find anything?    
ABBY: Commander Egan’s files were password protected, it took me a while to get in.  (SFX: KEYBOARDING B.G.)   
ABBY: What, are you getting in shape?    
TONY: Yeah, want to feel how hard my forearm is?    
ABBY: No, thanks.  Hey, Gibbs.  You want to feel Tony’s forearm?    
GIBBS: I’ll pass.  Copy of the CIA satellite transmission.  I want to see if you can enhance the image.    
KATE: Find anything in Egan’s computer?    
ABBY: He seems hinky about the sonar device’s reliability.  His notes suggest that tests may have been altered.    
TONY: Think Egan was killed because he was going to blow the whistle on the project?    
GIBBS: Maybe.    
  (SFX: COMPUTER BEEP TONES)   
TONY: (V.O.)  Oh, I like this part.    
     
  MUSICAL BRIDGE TO:   
     
 EXT. BEACH – DAY    
     
  (MUSIC OVER ACTION/NAVAL PERSONNEL SEARCH THE BEACH)    
OVERMEYER: Do you think they’ll find it?    
TYLER: I don’t know.    
     
  (MUSIC OUT)   
     
 MUSIC IN:    
     
 INT. NCIS LAB – DAY    
     
ABBY: This is the only time the assailant is on the screen.  Now watch what happens when I try to go in.  The closer I get to the figure, the more the image distorts.     
GIBBS: That’s it?    
ABBY: Sorry, Gibbs.      
KATE: We can’t make an I.D. out of that.    
TONY: Maybe we can find the polar chick.    
KATE: Tony’s right.  The beach is on a Naval base.  It’s a restricted area.  Odds are she works at Little Creek.    
TONY: Do you want me to track her down, boss?    
KATE: Why am I not surprised?  Want me to handle it?  At least I won’t drool.    
GIBBS: No.  No, DiNozzo took a wave for the team.    
TONY: Thanks, boss.  Hmm… look at the muscle tone, would you?  Definition on those abs.  The lady definitely works out a lot.    
ABBY: Maybe at the base gym?    
TONY: Ah, that makes sense.     
KATE: Don’t hurt yourself.  There’s going to be a lot of dangerous equipment you’re not familiar with.    
TONY: That’s cute, Kate.  Print me a copy, Abs?    
GIBBS: Face only, Abby.  Kate, you stay with her.  Go over everything in Egan’s files.  Find out everything you can about this device.    
DUCKY: Oh, Jethro!  Jethro, while I was examining our victim, I was telling Gerald about the Yanomami tribe.  He found it fascinating.     
GIBBS: This would affect our case somehow?  

 
DUCKY: Of course!  They were twenty three percent left handed.  Lieutenant Commander Egan’s killer was left handed.    
GIBBS: Anything else?      
DUCKY: He never made it into the ocean.  That good fortune allowed me to find traces of someone else’s DNA on his body.  The DNA of a female.    
GIBBS: That mean what I think it means, Duck?  (SFX: DOOR BELL RINGS)   
     
  MUSICAL BRIDGE TO:   
     
 INT. EGAN LIVING ROOM – DAY    
     
  (DOOR OPENS)   
GIBBS: Lieutenant Egan.  If this is a bad time…    
EGAN: Uh…I have to meet with the funeral director.     
GIBBS: I have a few questions.  Or I could come back.    
EGAN: Uh, no.  This is fine.    
     
  (PASSAGE OF TIME)   
     
GIBBS: Did your husband have doubts about the project he was working on?    
EGAN: I don’t know.  He was pretty distant recently.    
GIBBS: Anything else bothering him?    
EGAN: Not that I know of.  He hated paying bills.  Always gave him a stomach ache    
GIBBS: Do you know much about the people at Side-Scan?     
EGAN: Met them at a Christmas party.  Couple of other times.  He kept it pretty separate.  

 
GIBBS: Because of the confidential nature of the project?    
EGAN: I guess.    
GIBBS: He spent a lot of time at work, didn’t he?    
EGAN: Not in the beginning.    
GIBBS: But that changed.    
EGAN: In the last few months.  He always said all he wanted was a simple pine box.  But I can’t do that.     
  (DOOR OPENS)   
GIBBS: I think that he’ll be good with whatever you pick out, Lieutenant.    
  (DOOR CLOSES)   
     
  CUT TO:    
     
 INT. BASE GYM – DAY    
     
  (WOMAN WORKS OUT WITH WEIGHTS B.G.)   
WOMAN: Yeah?    
TONY: Hey, sorry.  I thought you were someone else.  Look, you weren’t sunbathing nude on the beach yesterday, were you?    
WOMAN: Nice try.    
TONY: Didn’t think so. (TO GYM MANAGER)  Oh, hey there. How are you doing?    
GYM MANAGER: Gym’s for base personnel only.    
TONY: Well, I wasn’t really planning on working out.    
GYM MANAGER: Obviously.    
TONY: Maybe you can help me.  Have you seen her?    
GYM MANAGER: Not very clear.    
TONY: It’s a really long lens.    
GYM MANAGER: It could be Gina.  

 
TONY: Gina?    
GYM MANAGER: Petty Officer Second.  Comes in here everyday about noon.     
TONY: I’ll wait.    
  (SFX: WEIGHTS B.G.)   
     
  CUT TO:    
     
 EXT. PIER – DAY    
     
KATE: You haven’t found it.    
GIBBS: Not yet.    
TYLER: You met me here to get me away from Overmeyer.    
GIBBS: I’ve got questions.    
TYLER: All right.    
GIBBS: What was Commander Egan supposed to be doing that morning?     
TYLER: Underwater test of the device.    
GIBBS: Meaning?    
TYLER: We seeded the ocean floor with targets.    
GIBBS: Dummy bombs.    
TYLER: He was going out to locate them.    
GIBBS: He had reservations about the project, didn’t he?    
TYLER: Not that I know of.  Is something wrong, Agent Gibbs?    
GIBBS: I don’t know.  Sometimes you think you have a bead on someone.  It turns out bogus.  It’s upsetting.    
TYLER: The point is?    
GIBBS: I didn’t take you for a party line type, Commander.  

 
TYLER: Commander Egan wasn’t sure the range was as good as promised.     
GIBBS: What if Commander Egan’s test turned up negative?    
TYLER: The Navy wouldn’t pick up Side-Scan’s contract.    
GIBBS: And Overmeyer?    
TYLER: He’d lose a fortune.    
GIBBS: I’m gonna press my luck here.    
TYLER: Okay.    
GIBBS: What if the prototype isn’t found?    
TYLER: Side-Scan will probably be granted an extension, which would buy time to correct any problems.  But there aren’t any serious flaws, Agent Gibbs.      
GIBBS: Would you submit to a voluntary DNA swab?  I’d like to eliminate you as Lieutenant Commander Egan’s lover.    
TYLER: There wouldn’t be much point.  Tom and I had been seeing each other for months.  Anything else you want to press?     
GIBBS: No.    
TYLER: I gotta get back.    
     
  CUT TO:    
     
 INT. BASE GYM – DAY    
     
  (TONY LIFTS WEIGHTS B.G.)   
TONY: Gina?    
GINA: Yes?    
TONY: Anthony DiNozzo, NCIS.    
GINA: What do you want?    
TONY: Ah I just want to ask you a few questions.  

 
GINA: I’m busy.    
TONY: Were you sunbathing yesterday on the base beach?    
GINA: You were watching me?    
TONY: No.    
GINA: Then how did you know I was there?    
TONY: I’m not at liberty to discuss the actual surveillance activity.    
GINA: Please leave me alone.    
TONY: Let me get my I.D.  I can appreciate how it must look.    
GINA: Okay, tell me.    
KATE: (V.O.)  I still can’t believe Lauren Tyler admitted…    
     
  CUT TO:    
     
 INT. BUILDING – DAY    
     
KATE: …to having an affair with Egan.    
GIBBS: She’s smart.  When I asked her for a DNA sample, she knew I had her.  Always better to volunteer information than cover it up.    
OVERMEYER: What are your people doing?!    
GIBBS: Seizing your files.    
KATE: It’s part of our investigation into Commander Egan’s death.    
OVERMEYER: You think he was killed for the prototype?    
GIBBS: I think he had concerns about performance.    
OVERMEYER: Well, you’re wrong.    
GIBBS: I try so hard not to be wrong, don’t I, Kate?    
KATE: You’re very conscientious in that regard, Gibbs.     
OVERMEYER: All right, we might have had a glitch or two, but nothing that wouldn’t have been corrected before production.  

 
GIBBS: See, you I did figure for the party line guy.    
OVERMEYER: What’s that supposed to mean?    
GIBBS: Why was only one prototype made?    
OVERMEYER: I funded all the R and D personally.  I don’t have pockets that deep.  This loss is just devastating.    
GIBBS: It also buys you time.    
OVERMEYER: Are you insinuating I had something to do with Tom Egan’s death?    
GIBBS: I try so hard not to insinuate, don’t I, Kate.    
KATE: You rarely insinuate, Gibbs.    
GIBBS: Yeah.  All I’m doing now is taking your records.    
OVERMEYER: I’m calling my legal counsel.    
GIBBS: I would bet that he will insinuate plenty.  Here.  Sign this.    
OVERMEYER: What’s that for?    
GIBBS: It’s a receipt for your files.  All of your files.     
  (HELICOPTER FX B.G.)   
  CUT TO:    
     
 EXT. SIDE-SCAN BUILDING – DAY    
KATE: We know the killer is left handed.  (V.O.)  Jonathan Overmeyer is left handed.  (ON CAMERA)  What about Commander Tyler? (INTERCUT FLASHBACK SCENE)   
GIBBS: She wears her watch on her left hand like most right-handed people do.  Service file will verify. (INTERCUT FLASHBACK SCENE)   
KATE: They could be in it together.    
GIBBS: They could.    
  (SFX: CELL PHONE RINGS)   
GIBBS: (INTO PHONE) Gibbs.    
TONY: (V.O./FILTERED) I found her, boss…    
  (GIBBS HANGS UP   
GIBBS: DiNozzo found our polar bear.  PHONE)   
     
  CUT TO:    
     
 INT. GYM – DAY    
     
GIBBS: You were on the beach yesterday?    
GINA: Yes, Sir.  I know it’s against regs to sunbathe naked, but I never thought I’d be caught in winter.  I don’t know what came over me.  I just really hate tan lines.  Don’t you?    
GIBBS: Sometimes I lay awake at night thinking about that.  Did you see anybody else there?    
GINA: Well, that’s why I left.  I heard a vehicle.  Saw this guy getting out in a wetsuit.  I covered up and left.    
KATE: Was he alone?    
GINA: I thought so at first.  But as I was walking back to my car, I heard voices and glanced back.  He was arguing with someone else.    
GIBBS: Can you describe him?    
GINA: Her.  All I can tell you is that she was military.    
     
  (MUSIC OUT)   
     
 FADE IN:    
     
 INT. NCIS SQUAD ROOM – DAY    
     
KATE: We know the killer was left-handed which eliminates Commander Tyler.  Her service file confirms she’s a righty.     
TONY: We also know the killer is a woman.  Unless Overmeyer went “Norman Bates” on the guy.  Actually, when you think about it, the M.O.’s match.  

 
GIBBS: DiNozzo.    
KATE: What did you do?    
TONY: So basically we eliminated our two best suspects.  Neither is a left-handed woman in the military.      
GIBBS: It appears so, yeah.    
KATE: Damn!  And they were good suspects.      
GIBBS: Yeah, maybe too good.    
KATE: What do you mean?    
GIBBS: We got carried away with the missing prototype.  Espionage and whistle blowing is a lot more intriguing than someone who’s just really pissed off.    
KATE: Egan’s wife?    
TONY: Her husband was diving on someone else’s reef.  Dipping the fin in the company pool.  Pinging the wrong pong.    
KATE: Egan’s wife didn’t get back from the seminar until after the murder.    
GIBBS: That’s what she said.    
KATE: (V.O.)  She’s a military officer. (INTERCUT FLASHBACK SCENE)   
GIBBS: Yes, she is.  And she plays golf.  (V.O.)  Left-handed. (INTERCUT FLASHBACK SCENE)   
KATE: W-Wait.  You could see that the clubs were left-handed with just a passing glance?    
GIBBS: My second wife played golf left-handed.    
KATE: So?    
TONY: When someone tries to split your skull open with a seven iron, it’s not a club you soon forget.    
GIBBS: There was an edge in the Lieutenant’s voice when she said things had changed the last few months.    
TONY: If she knew she was cheating on her…    
KATE: Wait, just because she golfs left-handed doesn’t mean she actually is left-handed.  I golf left-handed but I bat and I throw right-handed.      
TONY: So you go both ways?    
KATE: All I’m saying is that we don’t actually have anything on her.  We don’t even know if she knew that her husband was having an affair.    
GIBBS: Sure.    
KATE: So it’s just a hunch.    
TONY: Yeah.    
KATE: There’s no proof.    
GIBBS: No. (SFX: DOOR BELL RINGS B.G.)   
     
  CUT TO:    
     
 INT. EGAN LIVING ROOM     
     
     
  (DOOR OPENS)   
EGAN: Hello.    
GIBBS: Lieutenant Egan.    
EGAN: Please come on in.    
GIBBS: Thank you.    
  (DOOR CLOSES)   
GIBBS: We have a dilemma to share with you.    
EGAN: Dilemma.  What’s the problem?    
GIBBS: We think that your husband was killed because he was about to expose flaws in the Side-Scan prototype he was developing.    
EGAN: I see.    
KATE: But we can’t prove it.    
GIBBS: There was only one prototype made and that was taken from the crime scene.  

 
KATE: We’ve conducted a search, but so far no luck.  We’ll have to find it to have a chance of building a case against the suspect.    
EGAN: You have a suspect?     
KATE: A witness saw a woman arguing with your husband on the beach, just before he was stabbed.      
GIBBS: We think it was the commanding officer, Lauren Tyler.    
KATE: There’s no easy way to ask this, but did you know your husband was having an affair with her?    
EGAN: He was having an affair?    
KATE: It looks that way.     
GIBBS: Can you confirm our suspicion that your husband was having doubts about this project?    
EGAN: I’m afraid not.  He never mentioned it.     
GIBBS: Okay.  Thank you for your time.  Sorry to have to drag you through this.     
EGAN: What do you think happened to him?  Why was he killed? 
   
GIBBS: We think that he told Commander Tyler.  And that when they both confronted Jonathan Overmeyer, he offered them money to keep them silent.    
EGAN: And Tom refused.    
KATE: Yes.    
EGAN: He would never take money.     
KATE: But Tyler went along.  We believe they killed him, and had to hide the prototype fast.     
GIBBS: We need to find it.  If we don’t, we don’t have much of a case.  It’s the only conclusive proof we have of defects.    
     
  CUT TO:     
     
 EXT. HOUSE – DAY     
     
  (DOOR CLOSES)   
KATE: You think she took the bait?    
GIBBS: Pretty hard to pass up getting away with murder and framing your husband’s lover.      
KATE: Well, if she’s guilty, she’s a pretty good actress.    
GIBBS: Hey, what about yourself, kid?    
KATE: This thing is so creepy.    
GIBBS: Why?  You still don’t believe she knew about her husband’s affair?    
KATE: The wife’s always the last one to know, Gibbs.    
GIBBS: Don’t believe it.    
KATE: I hope you’re right.  Otherwise we were pretty cold to a woman who just lost her husband.    
GIBBS: Well, let’s find out. (SFX: TELEPHONE BEEP TONES)   
ABBY: (V.O./FILTERED) Hello?    
GIBBS: (INTO PHONE) Abs?  Call your boy. (DOOR CLOSES)   
  (SFX: CAR ENGINE STARTS)   
     
  MUSICAL BRIDGE TO:   
     
 INT. MTAC ROOM – DAY     
     
ABBY: So how long do you get to use the bird? (BEGIN INTERCUTS)   
     
  (SCENE CUT)    
   

 
ASHTON KUGEL: (ON MONITOR) Don’t worry, Abs.  I’m borrowing it from G-Nex Corp and they owe me big time.  It’s asynchronous, multi-positional and has thermal infrared.   It’s perfect for your purpose.      
ABBY: And they just let you have it?     
ASHTON KUGEL: (ON MONITOR) Technically, it’s down for maintenance.      
     
  (INTERCUT SCENE OF EGAN LEAVING HER HOUSE)   
     
ASHTON KUGEL: (ON MONITOR) Are you going to the lecture next week on Apogee Deterioration of the Amstat Five Eleven?    
ABBY: Oh, been there, done that.    
ASHTON KUGEL: (ON MONITOR) We have movement.    
     
  MUSICAL BRIDGE TO:   
     
 INT. CAR – PARKED    
     
ABBY: (V.O./FILTERED) Gibbs, she’s on the move.  I’ll redirect the satellite to you.    
  (MUSIC OVER ACTION/EGAN CLIMBS INTO HER CAR AND DRIVES AWAY)   
     
  CUT TO:    
   

 
 INT. MTAC ROOM     
     
ABBY: (V.O.)   Are you getting this?    
     
  CUT TO:    
     
 INT. CAR – DAY      
     
GIBBS: Yeah.    
TONY: Let’s roll.    
GIBBS: Hang on.  Let’s get some separation.    
     
  CUT TO:    
     
 INT. MTAC ROOM     
     
ABBY: She’s leaving the base.  She’s turning onto (V.O./FILTERED) Highway Two Sixty Four going south.    
     
  CUT TO:    
     
 INT. CAR – PARKED    
     
GIBBS: Okay, Lieutenant.  Let’s see where you’re going.    
  (MUSIC OVER ACTION DRIVING SCENES)    
     
TONY: I hope she’s not just popping out for a Big Mac.     
     
  CUT TO:    
   

 
 INT. MTAC    
     
ABBY: Where are you guys? (BEGIN TELEPHONE INTERCUTS)   
     
  (SCENE CUT)    
     
GIBBS: (V.O.)  Hanging back.  A mile behind her.    
     
  (SCENE CUT)    
     
TONY: You know, we really should have our own satellite for surveillance.    
GIBBS: Yeah, okay, Tony.  I’ll take that up with the Director.  Three hours of satellite time equals your yearly salary.    
     
  (SCENE CUT)    
     
ABBY: She’s turning.    
     
  (SCENE CUT)    
     
KATE: We see it.    
  (SFX: STATIC ON THE MONITOR)   
GIBBS: Abby?    
     
  (SCENE CUT)    
     
ABBY: I think Houston has a problem.  Ash what’s going on?    
ASHTON KUGEL: (ON MONITOR) Lost the signal.  Give me a second.  

 
  (INTERCUT DRIVING SCENES)   
ASHTON KUGEL: (ON MONITOR) The low-gain antenna has been intermittent.  (V.O.) That’s why it’s off-line for maintenance.    
     
  (SCENE CUT)   
     
TONY: We’re losing her.    
     
  (SCENE CUT)   
     
ABBY: You’re the man, Ash.    
     
  (SCENE CUT)   
     
GIBBS: Ash is the man if he gets our target back.    
     
  (MUSIC OVER ACTION/CAR DRIVING/ASHTON WORKING AT THE KEYBOARD)    
     
ASHTON KUGEL: (ON MONITOR) I’m looking for it.    
     
  (SCENE CUT)   
     
TONY: Take that right there.    
GIBBS: We gotta take it.  She did.    
KATE: Then what, Abby?    
     
  (SCENE CUT)    
     
ASHTON KUGEL: (ON MONITOR) All right, I think that’s it.    
ABBY: You think?    
     
  (SCENE CUT)   
     
KATE: It better be.    
  (MUSIC OVER ACTION DRIVING SCENES)    
     
  MUSICAL BRIDGE TO:   
     
 EXT. WOODS – NIGHT    
     
  (CAR BRAKES TO A STOP)   
  (CAR DOOR OPENS/CLOSES)   
  (MUSIC OVER ACTION/EGAN WALKS TO THE CLEARING AND UNCOVERS THE PROTOTYPE)    
GIBBS: (V.O.)  Do you need a hand?    
     
  MUSICAL BRIDGE TO:   
     
 INT. NCIS SQUAD ROOM – DAY    
     
GIBBS: You’re late.    
TONY: Sorry, I was at the dry cleaners.    
GIBBS: So?    
TONY: For Ducky.    
GIBBS: So?  

 
TONY: It was work related.    
KATE: Your phone has been ringing off the hook.  It’s driving him crazy.    
TONY: Well, she is driving me crazy.    
KATE: She?    
TONY: Apparently Miss “I Don’t Like Tan Lines” has found something she does like.  Me.    
KATE: And why is that a problem?    
TONY: Well, let’s just say that she’s a lot more appealing from a distance.  A geosynchronist distance.    
KATE: She didn’t look so bad to me.    
TONY: It’s not that.  She’s just not my type.    
GIBBS: Really?  Female hard body likes to take her clothes off not your type?    
TONY: I guess not.    
KATE: Well why don’t you just tell her that, then?    
TONY: I am.    
KATE: By not answering her calls?    
TONY: She’ll get the message.    
  (PHONE RINGS)   
KATE: Apparently not.    
GIBBS: Well, she’d better get the message soon or you’re going to be getting one on a pink slip.    
TONY: You can’t fire me for something I have no control over!    
KATE: Talk to her.    
TONY: She’ll get the message!    
KATE: You know, I’ll bet this is why number two came after you with a nine iron, wasn’t it?  You just refused to sit down and talk things through.    
GIBBS: Actually, that wasn’t it at all.    
KATE: Oh.  So what was it then?    
GIBBS: Seven iron.    
  (MUSIC OUT)   
     
  (ENDING CREDITS UP AND OUT)   
     
   (MUSIC UP OVER ENDING CREDITS AND OUT) 
* * * * * * * *


Prepared by C.C.   Printed in USA
Calvert Continuities   Aired 1/13/04





Kikavu ?

Au total, 95 membres ont visionné cet épisode ! Ci-dessous les derniers à l'avoir vu...

Jamie08 
13.03.2019 vers 19h

stephane25 
15.02.2018 vers 19h

laeti5 
06.02.2018 vers 15h

Dawsey400 
06.01.2018 vers 09h

Kalyanna 
01.01.2018 vers 13h

SandyD 
15.12.2017 vers 17h

Vu sur BetaSeries

Derniers commentaires

Avant de poster un commentaire, clique ici pour t'identifier.

Sois le premier à poster un commentaire sur cet épisode !

Contributeurs

Merci aux 3 rédacteurs qui ont contribué à la rédaction de cette fiche épisode

Ne manque pas...

Participe à notre jeu HypnoChance pour gagner un hors-série LiRE Game of Thrones !
Tirage au sort le 23/04 | Participation gratuite

Activité récente
Prochaines diffusions
Logo de la chaîne CBS

NCIS: Nouvelle-Orléans , S05E21 (inédit)
Mardi 23 avril à 22:00

Logo de la chaîne M6

NCIS, S15E18 (inédit)
Vendredi 26 avril à 21:00

Logo de la chaîne CBS

NCIS, S16E21 (inédit)
Mardi 30 avril à 20:00

Logo de la chaîne CBS

NCIS: Nouvelle-Orléans , S05E22 (inédit)
Mardi 30 avril à 22:00

Logo de la chaîne M6

NCIS, S15E19 (inédit)
Vendredi 3 mai à 21:00

Logo de la chaîne CBS

NCIS, S16E22 (inédit)
Mardi 7 mai à 20:00

Logo de la chaîne CBS

NCIS: Nouvelle-Orléans , S05E23 (inédit)
Mardi 7 mai à 22:00

Logo de la chaîne CBS

NCIS, S16E23 (inédit)
Mardi 14 mai à 20:00

Logo de la chaîne CBS

NCIS: Nouvelle-Orléans , S05E24 (inédit)
Mardi 14 mai à 22:00

Dernières audiences
Logo de la chaîne M6

NCIS, S15E17 (inédit)
Vendredi 19 avril à 21:00
2.55m / 12.0% (Part)

Logo de la chaîne CBS

NCIS : New Orleans, S05E20 (inédit)
Mardi 16 avril à 22:00
6.54m / 0.7% (18-49)

Logo de la chaîne CBS

NCIS, S16E20 (inédit)
Mardi 16 avril à 20:00
11.88m / 1.1% (18-49)

Logo de la chaîne M6

NCIS, S15E16 (inédit)
Vendredi 12 avril à 21:00
2.80m / 12.5% (Part)

Logo de la chaîne CBS

NCIS : New Orleans, S05E19 (inédit)
Mardi 9 avril à 22:00
6.69m / 0.6% (18-49)

Logo de la chaîne CBS

NCIS, S16E19 (inédit)
Mardi 9 avril à 20:00
11.82m / 1.2% (18-49)

Toutes les audiences

Actualités
NCIS | Diffusion M6 - 15.17 : Coup de massue

NCIS | Diffusion M6 - 15.17 : Coup de massue
Le NCIS et l'agent spécial Leroy Jethro Gibbs continuent leur service ce soir sur M6! C'est dès 21h...

NCIS:NO | Synopsis - 5.23 : The River Styx, Part 1

NCIS:NO | Synopsis - 5.23 : The River Styx, Part 1
CBS a dévoilé le synopsis de l'épisode 5.23 : The River Styx, Part 1 qui sera diffusé le 7 mai...

NCIS| Diffusion CBS - 16.22 : ...and Executioner

NCIS| Diffusion CBS - 16.22 : ...and Executioner
CBS a dévoilé le synopsis de l'épisode 16.22 : ...and Executioner qui sera diffusé le 30 avril...

NCIS:NO | Synopsis  - 5.22 : Chaos Theory

NCIS:NO | Synopsis - 5.22 : Chaos Theory
CBS a dévoilé le synopsis de l'épisode 5.22 : Chaos Theory qui sera diffusé le 30 avril...

NCIS:NO | Diffusion CBS - 5.20 : Jackpot

NCIS:NO | Diffusion CBS - 5.20 : Jackpot
Le NCIS et l'agent spécial Dwayne Pride commencent leur service ce soir sur CBS! C'est dès 22h que...

Newsletter

Les nouveautés des séries et de notre site une fois par mois dans ta boîte mail ?

Inscris-toi maintenant

Téléchargement
HypnoRooms

CastleBeck, Hier à 14:04

Le quartier Castle vous propose un concours d'affiches. Toutes les infos sur le quartier. Bonne journée

Locksley, Hier à 17:37

Pour un moment de lecture super sympa l'interview du mois d'avril est disponible à l'Accueil ! Enjoy !

choup37, Hier à 18:15

Plus que deux votes pour valider les designs de Kaamelott et Doctor Who!

juju93, Hier à 18:16

128 personnalités dont acteurs et personnages de série. Venez défendre les vôtres en participant à l'animation en cours sur The L Word

cinto, Hier à 19:19

The Tudors fait peu neuve: nouveau sondage, nouvelle PDM, nouveau pendu; une visite fait toujours plaisir. Merci!

Viens chatter !

Change tes préférences pour afficher la barre HypnoChat sur les pages du site